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Solo
Feeling Present (2024) for solo piano, 4’50”
For the Bat Who Loves the Night (2023) for solo flute, 4’50”
Slow Emergencies, I. Drought as the New Normal (2022) for solo piano, 5’00”
Quiet Beacon (2018) for solo piano, ~1’00”
The Vulture (2015) for solo mezzo-soprano, 6’00”
Ancient Echoes (2014) for solo percussion, 6’20”
The Inner Dialogue (2010) for solo trombone, 8’40”
Solo with Fixed Media or Live Electronics
Vignette No. 8 (2023) for bass clarinet and dancer with stereo fixed media, ~8’–12’
The Night is Empty… (2022) for solo clarinet and stereo fixed media, 5’00”
Under the Black Sun (2017) for solo piano and stereo fixed media, 7’20”
Urban Sky Glow (2016) for solo marimba and live electronics or fixed media, 10’00”
Chamber Ensemble
In the Absence of Snow (2023) for fl. (2), cl., bass cl., tbn., pno., vn., va., vc., 8’00”
A Tree for Everyone, and a One for Every Tree (2019) for flute and percussion, 7’00”
Athabasca (2018) for soprano voice and cello, 1’00”
Terrene Roars (2017) for timpani and brass quintet, 6’20”
Four Crossings (2015) for flute, clarinet, violin, cello, piano, and percussion, 6’43”
Twin Dreams (2014) for percussion ensemble, 9’40”
molto agitato (2014) for string quartet, 6’40”
Wraith (2013) for tenor voice and piano, 5’00”
A Spotless Moon (2013) for clarinet, cello, piano, and percussion, 9’50”
The Leaves are Gently Falling (2011) for violin and cello, 5’15”
a ghost in the room… (2009) for string quartet, 7’50”
Movement for Percussion (2009) for percussion ensemble, 5’30”
Large Ensemble
A Lost Winter (2024) for sinfonietta (1.1.1.1. — 1.1.1.1. — 1 perc. — piano — strings), 14’00”
Lilliputian Arctic Deviation (2018) for sinfonietta (1.1.1.1. — 1.1.1.0. — 4 perc. — piano — strings), 14’00”
Amergin (2013) for undetermined amount and type of strings, and SSAATTBB, ~10’00”–15’00”
Daydream (2011) for wind ensemble and percussion, 7’20”
Mindfulness (2011) for orchestra, 9’20”
TWINS (2008) for wind ensemble and percussion, 17’30”
Fixed Media (for dancers, video, multimedia projects, etc.)
Between Ice and Sky (2021) stereo fixed media and video, 6’19”
Ancient Voices, Ancient Skies (2019) stereo fixed media, 6’11”
Ambalangoda (2018) stereo fixed media, 5’35”
Blue Summer Dream (2018) stereo fixed media, 3’45”
We are out of water (2017) stereo fixed media, 4’40”
It Means ‘Light’ (2017) stereo fixed media, 4’15”
Doing Not Doing (2016) eight-channel fixed media, 4’20”
The Flood (2016) stereo fixed media, commissioned by Rebekah Chappell 4’40”
Reflect without Blurring (2015) eight-channel fixed media, 6’20”
Interrupted (2015) collaboration project with dancers and video artist
I. Quartet7, stereo fixed media for four dancers, 2’15”
II. Sliding Solos, stereo fixed media for three dancers, 2’10”
III. Melanie in Her Shrinking Box, stereo fixed media for solo dancer, 3’30”
IV. Interior, stereo fixed media for video, 3’45”
The Secret of the City (2015) stereo fixed media for dancers, 7’15”
Isochron (2015) stereo fixed media for dancers, 4’30”
Where the room isn’t (2015) stereo fixed media, 6’00”
No River like Craving (2015) stereo fixed media, 6’30”
Stratosphere II (2013) stereo fixed media, 7’20”